Making a Black and White print

1.) Materials:
• Lighttight film-processing tank that accepts the size of
film you plan to process
• Darkroom graduate or a 16-oz (473 mL) measuring cup
• Darkroom thermometer
• Several quart jars or bottles (glass, stainless steel, or
plastic) for processing solutions
• Stirring paddle to mix solutions
• Soft viscose sponge
• Darkroom timer or a clock with a sweep-second hand
• Scissors
• Bottle or magazine opener if you are processing film in
size135 magazines
• Protective gloves to prevent skin contact with chemicals
• Spring-type clothespins for hanging processed film to
dry
To make prints, you’ll need this equipment:
• Safelight, such as a KODAK Darkroom Lamp with a
KODAK OC Safelight Filter (light amber)
• Printing frame or enlarger
• 8 x 10-inch piece of heavy cardboard
• Four photographic processing trays a little larger than
the largest prints you plan to make (or shallow pans or
dishes made of glass, plastic, china, or stainless steel)
• Print squeegee or soft viscose sponge

2.) The chemicals you will need are:
Developer, Stop bath, fixer, and hypo-clearing agent. You can get these chemicals online at this website.
http://www.nationsphotolab.com/?gclid=CIqxmqHSh6UCFcFrKgodVi2dNQ

3.) First of all you have to make sure that there's no light going in the room where the process will occur. Than all of the chemicals are set up right, and make sure that you have everything you need, also the temperature of the chemicals have to be at an accurate temperature. Once you have everything set up you can start the process.
Now you can load the film onto the film reel, and put the film reel into the developing tank. Depending on the temperature of your chemicals that's how long you can keep the film in the chemicals. The order of how you put your film are developer, stop bath, fixer, and than the hypo-clearing agent. Finally the last step is putting your film on water for 10 minutes than remove the extra water from the film.

4.) 

1. Emulsion- a composition sensitive to some or all of the actinic rays of light, consisting of one or more of the silver halides suspended in gelatin, applied in a thin layer to one surface of a film or the like.

2. Aperture- an opening, usually circular, that limits the quantity of light that can enter an instrument.

3. Masking Easel- an upright tripod for displaying something
4. Exposure- the total amount of light received by a photosensitive surface or an area of such a surface, expressed as the product of the degree of illumination and the period of illumination.
5. Safe Light- a darkroom light with a filter that transmits only those rays of the spectrum to which films, printing paper, etc., are not sensitive.
6. Dodging- to shade from exposure for a period, while exposing the remainder of the print in order to lighten or eliminate the area.
7. Burning- the baking of ceramic products to develop hardness and other properties.